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Posts Tagged ‘ethics’

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Amanda’s workshop was educational, thought-provoking, well-researched and participatory. The youth who participated in the workshop were from Bangladesh, Liberia, Haiti and across the US. They were incredibly savvy and insightful in their thoughts, analysis and comments. I learned a lot about ethical advocacy as well as about what makes a campaign or initiative interesting for well-informed, globally engaged young activists.

The rest of the workshop is captured here, including my favorite part:

The advocacy Do’s and Don’ts that participants generated during group work:

And a key take-away:

Summary of the full workshop.

Amanda’s ebook “Beyond Kony2012: Atrocity, Awareness and Activism in the Internet Age.

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This is a cross-post by Laura Pohl who works at the Bread for the World. The post is a summary of the latest Humanitarian Photography group meeting. The meetings are part of a series of meetings about photography in humanitarian work organized by CORE Group. (The original is posted here)

An employee at the Yemi Hanbok factory near Yanji, China, examines a traditional Korean skirt she is dyeing.The factory’s unique geographic position in China, near North Korea, means it can have work done cheaply in both countries and then sell to customers in South Korea. Photo © Laura Elizabeth Pohl

One of the most common questions I get asked at work is, “Can I use this picture?”

Oh, there are so many answers — and we talked about most of them at our latest Humanitarian Photography Group meeting this past Tuesday. Jim Stipe of Catholic Relief Services, Ann Hendrix-Jenkins of CORE Group and I organized the meeting. I led it, starting off with a talk on figuring out whether a photograph is yours or not. Sounds easy, right?

Well, if someone on your staff shot the picture then yes, the answer is easy: you can use it. But should you use it? (More on that later.) If your organization hired a freelancer to shoot pictures for you, then yes, you can use the pictures but possibly with restrictions. It depends on the type of contract between you and the photographer. The main point here is that the photographer usually still retains copyright to the picture and your organization is licensing the pictures. If this all sounds complicated and legalistic, don’t worry; we’ll be delving into copyright, contracts and licensing in a future meeting. Finally, if you don’t know who shot the photograph, where it came from or who owns the copyright, it’s best not to use the picture.

Next I talked a bit about Creative Commons licenses, which photographers use when they want to let the public publish their pictures without paying a licensing fee. CC-licensed photos abound on Flickr, a frequent source of pictures for nonprofit organizations. Just be sure the picture editor at your organization (or the person in this role) understands all six CC licenses and when a picture is fully copyrighted, all rights reserved. When I was a freelance photographer, an NGO once published my copyrighted photographs from Flickr without my permission. I found the copyright violation and sent the organization a stern letter and invoice for the pictures. The organization paid up. They never apologized, though. The organization had tasked their intern with finding pictures. It turns out he didn’t understand copyright.

Finally, I talked about content and technical criteria for publishing pictures, showing about 20 “bad” photos that Jim and I found. There are many reasons photographs shouldn’t see the light of day but I think the best way to summarize the photo usage criteria listed below is, “Do unto others as you would have them do unto you.” That out-of-focus photograph of 10 bored-looking people sitting in a meeting? You don’t have to use it. That portrait of a person with a strange expression on his face? Just don’t publish it. As Jim often says, “It’s better not to use a photograph than to use a bad photograph.”

  • Dignity – No emaciated children, flies in eyes, violence or stereotypical images.
  • Safety – Could the picture put the photo subjects in danger, even if they agreed to be photographed?
  • Context – No pretending photos of one thing are of something else. Sometimes photos published as a collection make sense together but one photo on its own from the collection doesn’t make sense.
  • Caption – Who’s in the picture? Where was it taken? Why is this picture important? Even if you can’t publish this information because of safety concerns, it’s important to have the information for your internal records.
  • Credit – Who took the picture? It’s just like attributing a quote.
  • Third effect – Two pictures paired together can take on a new meaning.
  • Focus – Is the picture sharp or blurry?
  • Framing – Is the photo framed well?
  • Exposure – Is the picture properly exposed?
  • Color – Does it look natural?

People had great comments and questions at the end. (By the way, Jim did a nice job tweeting the meeting at #NGOphoto.) A woman named Aubrey said her organization works on a lot of construction projects, roads, latrines, etc. They often shoot before and after photographs to show the impact of their projects. Another person asked about setting up or staging shots. Some people wanted to know more about contracts and how to work with country programs to set up photo shoots. These are all meaty topics. I can’t wait to get into them more in future meetings. We’re taking a break for the summer but we’ll meet again in September, so get in touch if you’d like to join us.

You can find summaries of other meetings here:

April: On the ethics of photos in aid and development work

May: Aid, ethics, photography and informed consent

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There’s a great, ongoing discussion happening around aid and development and the ethics of using photographs and other media and stories about people INGOs and NGOs are working with (a.k.a beneficiaries, clients, participants). The discussions are organized by CORE Group in DC. I also participated in the first meeting of the group in April (see this post: On the ethics of photos in aid and development work).

Today’s meeting focused on consent and informed consent for photographs.
Jim Stipe was the key speaker. He shared Catholic Relief Services‘ experiences with developing a process that allows for informed consent in a variety of situations.
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Future discussions will cover related topics such as what happens with social media sites and consent and copyright? What about fair use of images and stories? I’m quite looking forward to continuing the discussions and learning!

Check out the compilation of tweets here on Storify – be sure to read from bottom to top!

Also see this old post: Child protection, the media and youth media programs.

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  1. Share
    Looking forward to group conf call with CORE today ref: Photos, ethics, values and INGO/NGO work.
    Tue, Apr 03 2012 06:55:44
  2. This morning I participated in a massive conference call about photography in aid and development, and the ethics and values that surround photos taken and used by NGOs. The call was organized by CORE Group (@coregroupdc). Now maybe I’m exaggerating here, but the call organizer, Ann Hendrix-Jenkins, read off a list of participants that went on forever. I’m estimating that there were something like 40 or 50 people listening in from as many organizations. This topic has always been important for a strong segment of NGO staff and it seems to be gaining steam again.

    After I started tweeting about it, a couple of people asked if I’d be writing a blog post. So here it is. I’ve ‘Storified’ it since I was tweeting instead of taking notes, and because there was a nice side conversation happening with folks on Twitter too. (See the Storify here – it looks a little bit nicer there than it does here.)
  3. Share
    “Humanitarian photography is a hot button issue.Touches on dignity, how we do our jobs, & our ideas about ourselves, others & our work.”
    Tue, Apr 03 2012 11:08:52
  4. The call organizers had earlier conducted a survey about NGO images, policies, consent, and operational processes around photographers and photography and shared it with participants ahead of the call. The organizers also suggested a couple of links to check out beforehand, including an Aid Watch post (“Adorable child in NGO fund-raising photo sues for royalties“) and a link to a photo  that appeared in the New York Times. These two links and other similar “poverty porn images” had sparked the discussions that led to the decision to organize today’s call. [update: here is the original discussion thread on Linked In]
  5. Share
    Jeez – like 50 orgs on this CORE call re: photography, ethics and values. Discussing: @aidwatch post ht.ly/a3gYA & more
    Tue, Apr 03 2012 11:06:19
  6. Share
    I’m reminded that these discussions happen all the time among INGOs, even when they are not documented on Twitter or a blog.
    Tue, Apr 03 2012 11:10:46
  7. Share
    Second photo touching off this conversation is NYT image from last year re Somalia famine. ht.ly/a3i0s #povertyporn
    Tue, Apr 03 2012 11:13:32
  8. Share
    Also reminded that blogs can and do touch off broader and wider discussions that often we never know are happening….
    Tue, Apr 03 2012 11:14:45
  9. Share
    @meowtree I think too many people online forget that about a lot of issues. Not all discussions are necessarily open for outside viewing.
    Tue, Apr 03 2012 11:16:09
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    @meowtree Shoot, I forgot about the call! Are you going to write a post about it?
    Tue, Apr 03 2012 11:28:06
  11. Share
    @meowtree Would have loved to be there but couldn’t… Will you report?
    Tue, Apr 03 2012 11:36:40
  12. Laura Pohl (@lauraepohl) from Bread for the World gave a short introduction to the topic along with some points to think about.
  13. Share
    What considerations do NGOs (and journos/freelancers) need to go through before publishing a photo? Appropriate use? Consent? What else?
    Tue, Apr 03 2012 11:16:15
  14. After this introduction, Jim Stipe from Catholic Relief Services gave a quick summary of the survey highlights, and we had a group discussion around some of the key issues detected in the survey and additional ones sourced from the participants on the call. 
  15. Heartening to know most INGOs have photo policies saying images must show dignity, & image usage is restricted/protected to some staff.
    Tue, Apr 03 2012 11:21:54
  16. Share
    Hearing: INGOs don’t seem to have policies stating photo must match/relate to/be part of story or have policies re: copyright of photos.
    Tue, Apr 03 2012 11:23:38
  17. Share
    Hearing: often pgm staff are taking photos, but many INGOs don’t train staff on policies or good techs for photos or on photo ethics.
    Tue, Apr 03 2012 11:25:47
  18. Share
    Hearing: What about consent for photos? We need to discuss this much more. It’s key to a good photo policy.
    Tue, Apr 03 2012 11:26:57
  19. Share
    @meowtree Unable to keep up today, busy. But have you asked @irinnews input? I use their photo service. Will catch up soon. Thanks for topic
    Tue, Apr 03 2012 11:28:38
  20. Share
    My question: what is ‘informed consent’? what are different ways to get it? how to ensure ppl rlly understand use of their image and story?
    Tue, Apr 03 2012 11:37:41
  21. Share
    @meowtree you can’t ensure that ppl understand use of their image unless they know context in which it will be used & understand its nuances
    Tue, Apr 03 2012 11:40:12
  22. Share
    Re: informed consent – how not to intimidate ppl with consent forms? Also – shd we be applying US consent laws to local settings? or not?
    Tue, Apr 03 2012 11:39:02
  23. Share
    @meowtree @jcdonner thanks brilliant, parallel questions for researchers being encouraged in IDRC SIRCAII programme, spread it
    Tue, Apr 03 2012 11:40:34
  24. Share
    Also: how does consent differ when children/under 18s are involved? what about difference btwn traditional and social media use of images?
    Tue, Apr 03 2012 11:40:32
  25. Share
    @meowtree What I learned from ethnography: entirely contextual and subjective. Even when you’ve succeeded, you’ve failed. But you must try
    Tue, Apr 03 2012 11:41:52
  26. Share
    @meowtree When in doubt, err on the side of caution.
    Tue, Apr 03 2012 11:42:32
  27. Share
    Someone asks: What about before and after pictures in the case of malnutrition? is it better to show the “after” picture to show progress?
    Tue, Apr 03 2012 11:42:41
  28. Share
    Another Q: what about when working with images of people in conflict settings? where use of their images may endanger them?
    Tue, Apr 03 2012 11:43:25
  29. Share
    Comment: Takes a lot more ppl, resources and planning than we think to do this right. We seldom put enough emphasis on ethical image/video.
    Tue, Apr 03 2012 11:44:51
  30. Share
    @meowtree In the West we focus on “informed consent” re: the individual–but in other cultures, the community consent is more important
    Tue, Apr 03 2012 11:40:28
  31. Share
    .@meowtree good discussion of photos in #ict4d vs journalism here is.gd/G4oGsC
    Tue, Apr 03 2012 11:20:44
  32. Share
    Comment: Need to work with US media also to help have more ethical use of images.
    Tue, Apr 03 2012 11:46:26
  33. Share
    Re. #povertyporn conversation @meowtree is tweeting: all humanitarian/devt agencies should have comms ombudspersons to defend those depicted
    Tue, Apr 03 2012 11:47:19
  34. Share
    @meowtree I’ve always found Photovoice UK’s ethical guidelines useful in regard to some the issues at your discussion photovoice.org/images/uplo…
    Tue, Apr 03 2012 11:47:47
  35. Share
    [ 1] MT @meowtree Comment: Takes a lot more ppl, resources, planning than we think… We seldom put enough emphasis on ethical image/video
    Tue, Apr 03 2012 11:48:29
  36. Share
    Interesting commentary on INGO photo policies & the ethics of humanitarian photography by @meowtree.
    Tue, Apr 03 2012 11:48:35
  37. Share
    @meowtree @giantpandinha I really like the ombudspersons idea but they would need to be local?
    Tue, Apr 03 2012 11:49:28
  38. Share
    @miskellaneous @meowtree Anybody with an empathetic impulse would be a good start. But yes, eventually, why not local?
    Tue, Apr 03 2012 11:50:32
  39. Share
    @meowtree photos and ethics such a big topic. I find the whole issue of people coming back from mission trips and volunteering with these
    Tue, Apr 03 2012 11:49:52
  40. Share
    @meowtree photos equally disturbing. Take a snap of a poor kid and then put on facebook – where’s the dignity and ethics in that? Volunteer
    Tue, Apr 03 2012 11:50:36
  41. Share
    @meowtree eduction is equally important, but so hard!! At the very least, if you wouldnt want a similar image of your mum/child/bro etc to
    Tue, Apr 03 2012 11:51:35
  42. Share
    @meowtree be shown are the world or usesd in the same way, then think twice. (this concept doesnt go down well when I mention it to people).
    Tue, Apr 03 2012 11:52:16
  43. Share
    .@meowtree One challenge – a Western audience that is eager to consume #povertyporn. Many INGOs seek to reach out to that audience.
    Tue, Apr 03 2012 11:51:08
  44. Share
    Comment: tension btwn fundraising people, program people. What is the concept of what the org is doing? Charity? solidarity?
    Tue, Apr 03 2012 11:55:08
  45. Share
    @meowtree @miskellaneous I find the “golden rule” goes a long way. Would I want my child, my niece/nephew depicted this way? Ever?
    Tue, Apr 03 2012 11:54:02
  46. Share
    @giantpandinha @meowtree yes it’s my golden rule too though there are somethings it misses like cultural understandings of modesty
    Tue, Apr 03 2012 11:57:06
  47. Share
    @miskellaneous @meowtree I remember a moment with my agency’s graphic designers when we cropped a woman’s belly peaking out from her t-shirt
    Tue, Apr 03 2012 11:58:00
  48. Share
    @miskellaneous @meowtree Again, the golden rule worked there. (But you are right @miskellaneous, might not work in every situation.)
    Tue, Apr 03 2012 11:59:46
  49. Share
    Comment: can we look at studies on the use of photos and impact on donors & learn. Also look at ethics vs what works w fundraising?
    Tue, Apr 03 2012 12:07:06
  50. Share
    Comment (mine) and what about participatory media? How often do we promote people’s own photos/videos of themselves/their communities?
    Tue, Apr 03 2012 12:07:55
To finalize the call, we heard a summary from Jim of some of the areas that the group could consider forming smaller groups to dig into and work on further, including: 
  • Issues around consent, alternative ways to obtain consent, release forms, and how to get truly informed consent.
  • Ethics of both taking photos and ethics of using photos – these are related yet separate issues.
  • What makes for a good NGO photo? What’s a good vs bad photo? What works and what doesn’t?
  • How do you grow your options for getting more high quality photos? How to train your staff on good photography? How to find and work with good freelance photographers? How to plan out a shoot and put the right amount of time into it? How to ensure photos are taken ethically?
  • Creating a photo policy, what does a good photo policy look like? what should it contain?
  • How to tell better stories? You can document your programs with photos and you can tell visual stories – these are 2 different things….
  • Getting good photo captions. If you don’t have good captions, photos are less useful.
  • Other places to source photos; eg., if you don’t have the photos you need, where can you go to get them?
  • Photo journalism vs NGO photography – similar yet different, different approaches and goals. Let’s discuss this.
  • Vocabulary for talking about photos in order to articulate to staff why one photo better than another. Turning gut sense into language and tools.
  • Looking at studies on the use of photos and their impact on donors, what can we learn from that? How to reconcile the different set of ethics that we may find in terms of ‘what works’ for fundraising and what is ethical?
  • What about participatory media and people portraying themselves and their own images
  • An Ombudsperson within INGOs who can defend the rights of those being photographed
  • The question of how people perceive you when you go from doing program work to becoming a photographer in the same afternoon. 
  • The related question about what happens when your organization makes you do both things? Who owns the photos? Do you get paid if your organization uses them? What if you are using your own equipment? How is your organization using you if that’s not your job in the first place? What are you expected to do and how much of this should you actually be doing?
  • Budgeting. We need to begin inserting budget into the conversation. How much can we pay photographers, or do we invest in training our own staff?
  1. Share
    Well pointed out by @miskellaneous: our “golden rule” re. depiction of “the Other” sometimes “misses cultural understandings of modesty”.
    Tue, Apr 03 2012 12:08:55
  2. Share
    However, I still believe some “golden rule” is better than none, and the bottom line should be: err on the side of caution.
    Tue, Apr 03 2012 12:10:15
  3. Share
    Comment: What about when you’re asked to be both a “program” person and also take comms/PR photos? How does community view you?
    Tue, Apr 03 2012 12:08:59
  4. Share
    Comment: what are the rules when your focus is pgm, but ‘photographer’ is added to your task list before you go out to ‘the field’?
    Tue, Apr 03 2012 12:10:10
  5. Share
    @meowtree @julienne_l I work with youth and struggle with this a lot. How do you keep integrity and get ppl to pay attention? #povertyporn
    Tue, Apr 03 2012 12:04:39
  6. I’m looking forward to continuing the discussions as this is an issue that constantly jumps out at me. It’s fantastic to know that there is such a strong contingent of NGO staff who are keen to address the issues around how we take and how we use photographs of the people that we work with.
  7. Share
    That’s it for tweets from @coregroupdc conversation on #povertyporn, photos, ethics and values. More later – discussions will continue.
    Tue, Apr 03 2012 12:11:55

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We’ve completed our first week of arts and media training with around 55 youth in Cumbana, a coastal community some 450 kms north of Maputo, the capital of Mozambique.  If you ever tried to Google Cumbana, you’d find information about a photographer with the same last name or links to tourist hotels at the nearby beaches in Maxixe or Inhambane, and not much else.  We actually did this as part of our Tuesday session on Internet with the youth.  Googling New York was another story.  But why?

We turned it around to the youth. Why is there no information on Cumbana?  The conclusion was you only find things on internet that someone puts there, and  no one had bothered, no one had ever really uploaded anything about Cumbana.  And that meant that this group of youth has a big responsibility, because they are going to be the ones to put Cumbana on the map. Photo:  After Cumbana, the top Google search among our small population was, of course, Michael Jackson.

What does that mean?  Aside from producing arts and media to raise issues that affect them and engage their communities in jointly finding solutions, the youth will be the ones to define Cumbana.  As Lauren (the Peace Corps volunteer who’s been teaching at the school for the past 2 years) said:  “Did we find anything about you all in Cumbana now on the internet?  No.  When will there be something about Cumbana?  When you make the effort to put it there.”  Photo: Mobile phone connections are much more likely than computers in the near future, so we trained on internet also using mobiles.

Access to internet whether by laptop using mobile internet or directly on a phone is a huge hit with the kids, 75% of whom had never been online before.  Our 2 hour session could have gone on all day for all they cared. The idea of putting yourself on the map seems to have appeal in the same way that having a Facebook page does.  It’s about self publishing and creating an identity. Photo left: Anthony the local Peace Corps Volunteer supported with the internet and is working with the theater group.  Photo below: Lauren, Peace Corps Volunteer, is working with the multimedia group.

But as we are seeing more and more, citizen journalism has its downfalls (think Fort Hood).  So it was great to see the debates about ethics in journalism that also happened last week.  Jeremias from Radio Mozambique facilitated a great session. He was excited to be part of the workshop because, as he said, “I’m a journalist.  I want to groom more young people from right here in the community where I came from to follow in my profession, and this is a great chance for all of us.”

During Jeremias’ session on ethics, the kids hotly debated the question of whether you should show the face of someone caught stealing.  Many felt that this would punish the thief as well as protect the community. Jeremias countered, “In Mozambique, whose job is it to determine guilt or punishment? Eh?  It’s not the role of the journalist. It’s the role of the judicial system. Like it or not, that’s how it is.”  He talked about the basic rules in journalism to protect people, about divulging information and objectivity. “When you leave here, to do work out there in the community, you need to be sure to hear all sides.  You need to protect the good name of people.  This is our responsibility.  This is ethics.  You cannot condemn someone until the judicial system has determined that they are guilty.”

I sat there wishing every self-appointed citizen journalist followed those rules, and self-examining whether I always do.  But it also got me thinking about how when you are not in a free state, your judicial system is totally non functional, or there is corruption within the journalism profession or media houses, things are not nearly so clear.  Sometimes things need to be filmed to get something to happen, whether they’ve been proven or not.  What are the rules and ethics then?  (I’m sure I can Google this and find a debate!)

The youth were cautioned to leave aside sensationalism.  “Often wanting to be the first to get the news out makes us less careful as journalists” Jeremias said.  If we drop the bomb, we’re likely to see the next day that we are the ones being processed, accused of not being ethical.” Photo: Jeremias and a youth participant share ideas.

“The ethics of a journalist come from within us,” he said.  Sometimes even a journalist’s own employers may ask him do things that are not ethical.  Or others want a certain story to come out and they try to bribe a journalist.  This makes it really difficult to be a journalist. A journalist needs to have high and strong ethics and maintain objectivity,” he told the kids.

“So you see, journalist is under constant pressure. It’s REALLY easy to get a recorder, to make a story.  It’s more difficult to think through what the consequences of publishing that story might be.  As a journalist, your goal is not to get famous; it’s to transmit information, so get the idea of fame right out of your head.”

Jeremias is a wise man and we are really lucky to have him training our group of journalists.

Cumbana is the only secondary school (it covers to 10th grade) in the entire district, with 3 sessions a day, serving some 4000 students (if the teacher I asked is correct). The opportunity to participate in a program like YETAM is huge for students and teachers alike.  In addition to the journalist group, there is theater, music and dance, multimedia, and painting.  For the kids, it’s like a 2 week summer camp where they strengthen leadership skills, improve their studies, get organized to address community challenges facing youth, and think about careers outside of the norm.  For the teachers, it’s an opportunity to engage with students in a different way, to strengthen their teaching methodologies and improve their ICT skills.  For the partners, it’s an opportunity to give back to the community and, of course, to discover new talent for their professions.

Related posts:
On Girls and ICTs
Being a Girl in Cumbana
Is this map better than that map?

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